Archive for the 'Tips and Techniques' Category

Looking Down and Looking Up…

October 16th, 2010

In my post More Tips to Improve Your Fall Photography, I talked about looking down at the forest floor to find interesting subjects to photograph during the fall. On our recent trip to Michigan’s Upper Peninsula I was able to put my advice to work and came up with some colorful images of leaves on the forest floor.

Leaves weren’t the only subject that were lower down though, we also found many mushrooms growing on dead trees all over the forest. These mushrooms took many shapes and sizes, ranging from little classic mushrooms like you’d buy in the store, to very large pancake like ones growing up the sides of standing trees. One dead tree we came across was covered from it base up to six feet high in these fungi. It was a pretty impressive site.

While in another area of the woods, I used the exact opposite of my advice. Instead of looking down, I looked up, and found an awesome looking hornet hive high in the branches of a tree. Luckily it was a vacant hive and I was able to stand underneath it and photograph it with my telephoto lens. Interestingly, this hive was over a very busy trail, but no one seemed to notice it, even as I was taking pictures of it.

All of this goes to show that you’re head needs to be on a swivel while out shooting in the woods. You never know what you may see when looking down and looking up.

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More Tips to Improve Your Fall Photography

September 21st, 2010

Last year I wrote a two part article about tips to improve your fall photography. It was so well received, that I’ve decided to write more on the subject this year.

In Part 1 of Tips to Improve Your Fall Photography I talked about the importance of slowing yourself down and not rushing your photos. I also went over not getting overwhelmed with the beauty of autumn colors and to remember the importance of composition. In Part 2 of Tips to Improve Your Fall Photography I went over composing images where the brilliant colors are the subject of the image and I also went over some lighting tips to help make the colors pop more.

In this year’s article I will go over some ideas for subjects that are very much a part of the autumn landscape, but aren’t trees.

I’ll start with one of the simplest, but often overlooked parts of the fall landscape, the forest floor. Many great shots can be found down by your feet. These include piles of leaves, colorful leaves scattered about and leaves laying amongst other objects such as rocks, pine cones, acorns, sticks and much more. Many times these things will take on an abstract, cluttered look, so it’s good to look for patterns or something that stands out above the clutter. Personally, I’m not above moving things around a little, but I prefer to shoot the scene how it lays naturally. Another idea is to look for  elements such as  tree trunks or maybe part of a rushing stream to add to the leaves on the ground. This can create a very intimate shot of the forest floor.

Speaking of water, reflections can be amazing in the fall. I’m always on the lookout for nice reflections in water, but in the fall I pay even closer attention to them. Colorful, abstract images can be created by zooming in on the reflection of a bright tree. If there’s a ripple on the water’s surface it’s even better. A slow shutter speed on a rippled reflection can create a very soft image full of color.

Reflections on a smooth surface along with the actual trees can be pretty cool for abstract images too. I like to compose the image in such a way that it’s hard to tell where the land and trees end and the water begins. This makes for a very intense, colorful scene.

Abstract images aren’t only found in the water. By zooming in on the trees themselves, you can create some interesting abstract images with very bright colors. Remember your composition though and try to find something to pull all of that color together. Something as simple as a branch or even bright light shinning through the leaves can make a big difference in how an image looks.

There’s one more subject I want to talk about. It’s something that I would never have talked about before the last couple of years, adding human elements into the fall landscape. Buildings, bridges, benches, roads, these things add to the image by helping to tell the story of fall. They contrast nicely with the colors and add interest to the image. Having a person walking down a road bathed in fall color is a great way to tell the story of a peaceful autumn day.

I hope that these tips are helpful to you and that they give you a few other subject ideas as you’re out shooting fall colors. As I’ve said before, fall is my favorite time of year. Not only do I love photographing it, but I love just being out in the cool, autumn air with the  wonderful sights, sounds and smells all around me.

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That Renaissance Feel, An Image From Bristol

July 21st, 2010

One of the things I most enjoyed at the Bristol Renaissance Faire was the beautiful clothing that some of the women wore. I have to admit, I have a thing for women in this type of clothing. I feel the renaissance gowns and hats really bring out a beauty in women that’s hard to find in modern times.

I don’t know who this lovely lady is, she was walking about all by herself when I asked if I could have a picture and she posed for me. If she happens to read this, thank you for the great picture.

Though the gown she is wearing was very colorful and the original photo is great, I knew right away that I wanted to work with this image in a brownish or sepia tone.

By tweaking one of the presets in Adobe Lightroom, I was able to begin the process of getting the color I wanted. I then exported the JPG and loaded it into Photoshop. Once in Photoshop I used Nik Software’s Color Efex Pro to soften the image and add some dramatic glow. It was when I added the glow that I knew I had what I was looking for. The only problem was that the filter softened her face a little more than I wanted, so I used a vector mask on that layer and painted back some of the sharpness from the layer underneath. I finish the image off by lightening her face a little.

One of the greatest things about modern digital photography is the ability to create images that look anything but modern. By using the different tools available, we’re able to create artistic images that are not only beautiful to look at, but also create a sense of an older time.

View More of My Photos From the Faire

The Art of Visualization

February 25th, 2010

How often do you think about photography and the photos that you take? I do it all the time. Not a day goes by that some thought about photography doesn’t pop into my head. Many times these thoughts are ideas, or visualizations, about pictures that I want to take when the conditions are right for a certain subject

Take this picture of the Wind Point Lighthouse along Lake Michigan in Racine, WI for example. Not to long ago I read a blog post by Greg Russell on his website Alpenglow Images. The post is titled House on Fire ruin – A Vertical Panorama and it’s about how he shot a vertical panorama by stitching together three horizontal pictures. The minute I finished the post I knew the subject I wanted to try this technique on, Wind Point Lighthouse.

Having shot the lighthouse many times, under many different and conditions, I knew in my mind the composition I wanted and the conditions that I wanted to take it in. Let the waiting game begin….

About a week later the conditions I wanted came to be. We had been out shooting an old mill in Illinois when, on the way home, I realized the conditions were perfect for my lighthouse shot. So we drove out there and I took my three horizontal pictures of the lighthouse. When I got home and stitched the pictures together, I was blown away by the result. There in front of me was not only the image I had envisioned, but something much nicer. This was the best picture I had ever taken of the light.

Then another vision came into my head, I saw this picture in black and white. I immediately began to work on the black and white version that I saw in my mind. Everything fell together nicely and within an hour I had this image.

I find that as I get older and more experienced in photography, I’m pre-visualizing photos much more. I still love going out, being spontaneous and taking what Mother Nature gives me, but there is a certain, wonderful feeling when you see an image in your mind, wait for the right conditions, and then make it a reality.

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