Steven Bourelle Digital Arts

How often do you think about photography and the photos that you take? I do it all the time. Not a day goes by that some thought about photography doesn’t pop into my head. Many times these thoughts are ideas, or visualizations, about pictures that I want to take when the conditions are right for a certain subject

Take this picture of the Wind Point Lighthouse along Lake Michigan in Racine, WI for example. Not to long ago I read a blog post by Greg Russell on his website Alpenglow Images. The post is titled House on Fire ruin – A Vertical Panorama and it’s about how he shot a vertical panorama by stitching together three horizontal pictures. The minute I finished the post I knew the subject I wanted to try this technique on, Wind Point Lighthouse.

Having shot the lighthouse many times, under many different and conditions, I knew in my mind the composition I wanted and the conditions that I wanted to take it in. Let the waiting game begin….

About a week later the conditions I wanted came to be. We had been out shooting an old mill in Illinois when, on the way home, I realized the conditions were perfect for my lighthouse shot. So we drove out there and I took my three horizontal pictures of the lighthouse. When I got home and stitched the pictures together, I was blown away by the result. There in front of me was not only the image I had envisioned, but something much nicer. This was the best picture I had ever taken of the light.

Then another vision came into my head, I saw this picture in black and white. I immediately began to work on the black and white version that I saw in my mind. Everything fell together nicely and within an hour I had this image.

I find that as I get older and more experienced in photography, I’m pre-visualizing photos much more. I still love going out, being spontaneous and taking what Mother Nature gives me, but there is a certain, wonderful feeling when you see an image in your mind, wait for the right conditions, and then make it a reality.

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I find it very interesting that I can look at one of my images and never see it any other way than how it currently is, but then one day I’ll look at it and see something totally different.

Last night I was glancing through some  older photos when this shot of the Minarets, in California’s Sierra Nevada, caught my attention. Now, I’ve had this image for 5 years and I’ve never imagined it as anything other than a color image, but when I looked at  it last night, I immediately saw it as a black and white and knew exactly how I wanted it to look.

It’s moments of inspiration like this, that keep my love of photography so strong. With the modern digital dark room anything is possible, and it’s a wonderful feeling to know that at any time one of my older images can be reborn.

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While looking for November’s Photo of the Month for my other site, SierraVisions.com, I came upon this image in my files. Not only did I make it the photo of the month, I also turned it into my newest black and white image.

When I shot this photo last November, I remember liking the way the main elements in the image contrasted. To me, the chaotic nature of the tree branches working with the simplicity of the tree trunks and snow covered ground create a very interesting scene. That contrast didn’t show up to well in the color version, but in the black and white it’s very powerful.

When I began working on the black and white image I had a hard time getting the scene to look like I wanted it. The tree trunks kept going black on me and the branches had way to much contrast. I also had problems with the snow on the ground wanting to blow out and go pure white. I was getting  pretty frustrated and  considered giving up on the image. That’s when I had an idea that I had to try. I thought maybe  if I did an HDR of the color image and then turn that into black and white I could keep some detail in the tree trunks and the snow. It worked nicely. Not only did the HDR keep the snow from blowing out, it also preserved the shadows on the ground that are such an important part of the image.

I then proceeded to process the image the way I do all of my black and white images. In Photoshop, I use a combination of Nik Software’s Silver Efex Pro and adjustment layers to get the look I want, (Someday I’ll have to do a tutorial on my B&W technique.)

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This image was shot at Hyde’s Mill in South-west Wisconsin. What a cool little place.

We drove 150 miles, one way, just to see this beautiful little mill. It was worth every mile. When we got there it was very cloudy, perfect conditions for shooting the mill. The sun came out a little later and the scene became way to contrasty. Along with the mill there is an old blacksmith building, a bunch of grinding stones and three old rusty turbines.

In processing this image I did something I’ve never done before. I used Lightroom’s develop presets. Normally when I work on a black and white, or in this case sepia image, I do all the work in Photoshop and use a combination of Nik Software’s Silver Efexs Pro and adjustment layers. I wanted to do a black and white image of this scene and for some reason I started clicking on the presets. When I clicked on the sepia one I liked what I saw, then I clicked on a couple more and things really got interesting. I played around with the contrast, added a vignette and then exported the image.

Then I opened it up in Photoshop and continued to play around with it. I used Nik Software’s Color Efex Pro to add a little more vignette and to reposition it a little. I also did some burn work here and there and did some more contrast work with adjustment layers.

Before we left on this trip, I had a vision in my mind of the image I wanted from the mill. This image is pretty close to what I saw in my mind. It’s almost as if my subconscious knew what I wanted and clicked on the right Lightroom presets to give it to me.

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